![]() The theatrical Godfather Part III which we’ve all known and had access to for decades is itself a highly flawed film, though one we’ve had time to process and discuss. ![]() And while it’s always a good time to revisit some of the greatest films of all time, a back to back viewing of The Godfather Part III and Coda makes for a head scratching experience. ![]() When Francis Ford Coppola announced a reworking of the third chapter, complete with a new remaster, re-edit, and retitling to Mario Puzo’s The Godfather Coda: The Death Of Michael Corleone, I felt the time was perfect for me to revisit the hallowed series and prime myself to soak in a new cut of a fascinating film with the series quite fresh in my mind. A trilogy capper that attempted to follow up a one-two punch of two of the greatest films in American history some 15 years after the second chapter, each viewing simultaneously increases my estimation of the film and cements its inferiority to the first two. The Godfather Part III is, and will forever be, a fascinating film. More than all the money and power on earth. “The only wealth in this world is children.
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